Unit: Ranga’s Marriage (Prose)
Why did the narrator feel that Hosahalli was not mentioned in geography books?
a) It was too small and unknown to English writers and Indian geographers
b) It had no historical importance
c) The villagers did not want it on the map
d) The cartographers deliberately omitted it
What surprised the villagers most when Ranga returned from Bangalore?
a) He spoke only in English
b) He looked exactly the same as before
c) He had cut off his janewara
d) He refused to meet anyone
Ranga’s view on marriage was that one should marry
a) any girl chosen by elders
b) a girl one admires and who is mature
c) the moment one turns twenty
d) only after settling abroad
Assertion (A): The narrator decided to get Ranga married immediately after their first conversation.
Reason (R): He believed Ranga would make a fine husband and be of service to society.
a) Both A and R are true and R is the correct explanation of A.
b) Both A and R are true but R is not the correct explanation of A.
c) A is true but R is false.
d) A is false but R is true.
The narrator compared Ranga’s disappointment when Ratna stopped singing to
a) losing a ripe mango
b) a lump of sugar melting in the mouth
c) the sourness of a raw mango reaching the brahmarandhra
d) a roasted brinjal
Assertion (A): Shastri’s astrological reading about Ranga proved “true”.
Reason (R): Shastri had been carefully tutored by the narrator about what to say.
a) Both A and R are true and R is the correct explanation of A.
b) Both A and R are true but R is not the correct explanation of A.
c) A is true but R is false.
d) A is false but R is true.
The word “change” in the story is used to show
a) the influence of English words in daily village life
b) the economic condition of the villagers
c) Ranga’s modern outlook
d) the narrator’s ignorance of money matters
Ratna was
a) the narrator’s daughter
b) Rama Rao’s niece who could play the veena and harmonium
c) Ranga’s cousin from Bangalore
d) the Shastri’s daughter
Ranga finally admitted that the Shastri’s prediction was true because
a) he had already decided to marry Ratna
b) he genuinely believed in astrology
c) he wanted to please the narrator
d) he feared society’s opinion
The name given to Ranga and Ratna’s son shows
a) their respect for the narrator
b) their love for English customs
c) their devotion to Lord Krishna
d) their desire to follow tradition strictly
“When you see this title, some of you may ask, ‘Ranga’s Marriage?’ Why not ‘Ranganatha Vivaha’ or ‘Ranganatha Vijaya?’ Well, yes. I know I could have used some other mouth-filling one like ‘Jagannatha Vijaya’ or ‘Girija Kalyana.’ But then, this is not about Jagannatha’s victory or Girija’s wedding. It’s about our own Ranga’s marriage…”
“‘I am not going to get married now,’ he said. ‘Why not?’ ‘I need to find the right girl… If one gets married, it should be to a girl who is mature. Otherwise, one should remain a bachelor.’”
“‘Ratna? The girl in Rama Rao’s house is Ratna. Tell me, is there any chance of our negotiations bearing fruit?’ ‘Definitely,’ he said, after thinking for some time.”
Section B (Marking: 1 mark each sub-question)
Extract 1: 1. Narrator/Shyama 2. Story is about an ordinary village boy, not mythological figures 3. Allusion 4. Deep attachment and pride in his village
Extract 2: 1. Ranga to narrator 2. Wants a mature girl he can admire, not a child bride 3. Metaphor 4. Distressed; decides to get Ranga married
Extract 3: 1. Narrator to Shastri 2. Fake astrological consultation to influence Ranga 3. Metaphor 4. Surprise and happiness appear on Ranga’s face
Section C (Key points for 3 marks)
1. Crowd melted away once they saw he looked the same; old lady checked janewara.
2. He bent low and touched feet respectfully instead of a stiff modern namaskara.
3. Cannot admire a very young girl; marriage should be between equals who can talk lovingly.
4. Sent for Ratna on pretext of buttermilk; asked her to sing so Ranga could hear her.
5. Pretended to read stars and confirmed the narrator’s planted details about Ratna.
Section D (Key content points)
1. Witty, observant, affectionate; uses humour and gentle manipulation; deeply attached to village and Ranga; resourceful in arranging marriage.
2. Traditional setting shown through narrator’s concern, use of Shastri, preference for mature bride; comic element in the staged astrology and the narrator’s white lies.
All questions are answerable from the NCERT chapter text. Reviewed by GFIS faculty.